I’m an artist working with music, visual art, and instruments. I play guitar as a hobby and draw inspiration from a wide range of music, mostly ’90s sounds, rock, and metal.
My work begins with the instrument itself. From there, I look for the artist it connects with — someone where a real link exists — and only then do specific songs and lyrics come into play. I work with donated and pre-used instruments, giving them a second life while keeping them fully playable.
You’ll rarely see me on camera — any free time goes into the guitar, not into getting camera-ready.
Each piece is created independently, starting from the original work and reshaped through my own perspective. My first project was an instrument dedicated to Ren Gill, setting the foundation for an open, evolving series of artist-inspired instruments.
I work mainly in my garage and home studio. Sometimes my husband helps, my son keeps me distracted, and my dog and two cats supervise the entire process — usually without contributing, but always judging.
This project is personal, evolving, and a little chaotic at times. These questions give a closer look into how I work, what drives me, and what matters most behind each instrument.
Some pieces are available, some are already sold. Each instrument is a one-of-a-kind project.
Just get in touch with me.
Collaborations are welcome. Commissions depend on the instrument, the idea, and whether the connection feels right. The project is still evolving.
Yes. Donations are welcome — especially when an instrument has history but no longer gets played.
Design and painting. This is where everything comes together and the instrument really starts to become its own piece.
The basics are planned ahead, but I often get lost in the process. While working, I discover details that simply feel right — and those moments usually shape the final result the most.
In my head, I’m already four instruments ahead. Still, every piece needs time to become exactly what it should be, and I want each one to feel unique and right for me.
I hope it reaches people who love this kind of art — or the artists behind it — just as much as I do.
They are fully playable instruments. While the visual design is a big part of the work, sound, setup, and playability always come first.
I mainly work with donated and pre-used instruments. Giving them a second life is an important part of the project.
It always starts with the instrument. From there, I look for an artist where a real connection exists, and only then do specific songs and details come into play.
Mostly in my garage and home studio.
Yes. The full transformation is documented on video, mainly on TikTok.
The result, the people who follow my work, and the music itself. That combination is always enough to keep moving forward.
No pressure at all — just excitement to see how it turns out.
